shewhomust: (bibendum)
Watching any pasta shape being extruded, be that through a small domestic machine or a vast industrial one, is hypnotic. Short shapes are particularly mesmerising, because the dough - made from durum wheat flour and water - emerges at speed from the bronze or Teflon-coated die, and is then chopped to size by a rotating blade. And then there are fusilli, whose helix form is created by an ingenious die that was invented and perfected in the early 1900s. Fusilli twist their way into being, the Syd Barrett of pasta shapes, emerging from the die in a psychedelic spiral.

Rachel Roddy, Guardian Feast, 30.03.2024


shewhomust: (mamoulian)
We watched the new season of Good Omens -

We try not to use Amazon if we can help it, but they had something that [personal profile] durham_rambler wanted, and when he bought it, they offered him free postage and a trial month of Amazon Prime. Which we used, of course, to watch Good Omens.

What I thought of it is complicated, so I won't go into that here. Instead, here's a question. In the final episode, the (very junior) angel Muriel discovers books. Did I really hear them say something like "Books. Like people, only portable."

It's such a great line, I've been trying to track down the exact wording, and authorship (can I assume script is by Neil Gaiman unless otherwise stated?) but without success. Ask a search engine about 'books people portable' and it will offer to sell you books. Add the information that this is a quotation from Good Omens, and it will try to sell you books like Good Omens. As if. I found a whole compilation of clips of Muriel being adorable, but it doesn't include this line. I'd think I dreamed it, but it's too good.

The internet has a massive amound of information about Good Omens, but I have just dragged myself out of that rabbit hole, and I'm not going to risk going in again. So if anyone knows the answer, please tell!
shewhomust: (mamoulian)
With today's concerns about diversity and inclusion, it's wonderful to have a sponge, a starfish and a squirrel be best friends.

Tara Overfield Wilkinson, The Guardian

Priorities

Dec. 6th, 2022 02:15 pm
shewhomust: (mamoulian)
First the sky, then the mountains, then the hills, then the trees, then the houses, then the cattle and then the people.


So said Grandma Moses, according to this article in yesterday's Guardian.

She was actually talking about her painting methods: always in the same order, from the top down. (The article also says that she didn't use an easel, so this may just have been to avoid smudging what she had already painted.) But I think it makes a fine all-purpose incantation.
shewhomust: (mamoulian)
[...] have many such examples, and one amongst the rest of a baker in Ferrara that thought he was composed of butter, and durst not sit in the sun, or come near the fire for fear of being melted:

Robert Burton, The Anatomy of Melancholy


I am grateful to Countdown's Susie Dent, whose 'origins of words' spot this afternoon pointed me to the source of these words, which I know as the preamble to Dr. Dim And Dr. Strange (on YouTube). (After this, the two texts diverge, but I'm guessing that this is a matter of editing.)

Now I wonder why I've never managed to find it before (oh, I have searched). Or even why I didn't guess the source.
shewhomust: (mamoulian)
Raymond Briggs has died.

"I don't have happy endings," Briggs [allegedly] told the Radio Times in 2012. "I create what seems natural and inevitable. The snowman melts, my parents died, animals die, flowers die. Everything does. There's nothing particularly gloomy about it. It's a fact of life."


"Allegedly" because the Gardian is not the only place I've found this attribution, but the link provided leads nowhere. Even internet links die ...
shewhomust: (mamoulian)
I want to be very clear. None of my books has "turned" young people into lesbians, gay men, bi people or trans folk. If books had that power, I would stand before you a very hungry caterpillar.

Juno Dawson, The Guardian




Yes, I know, it's not an exact parallel - but so nicely put!
shewhomust: (mamoulian)
Late capitalism is like arguing with a teenager. Its gambit on matters of fairness and dignity is "Why should I?" and its logical endpoint is "robots".

Zoe Williams, The Guardian
shewhomust: (mamoulian)
The Guardian's obituary of Rhonda Fleming is sufficiently taken with a line from one of her films to use it as a pull quote in the print edition: "When told to expect an extra guest for dinner, she replies: 'OK, I’ll put more water in the soup.'" (from Cry Danger, scripted - according to IMDB - by William Bowers).

This caught my attention not because it's a particularly snappy line, but because it's such a familiar one. I grew up with the cry "Visitors! Put another pint of water in the stew!" and I think of it as one of those family jokes which has been used so often that it has lost whatever humour it once had, and become just a thing you say. Does it originate with Cry Danger? One or other of my parents could have seen it, but equally, it's a ;ine they could have come up with independently. We shall never know, but I greeted it as an old friend, nevertheless.

It's a fine illustration of the way names do in and out of fashion, that Rhonda Fleming should be the name chosen by - or for - a woman born Marilyn Louis, which now strikes me as a much more glamourous name.
shewhomust: (puffin)
The Government went Poop-poop-poop,
As it raced along the road.
Who was it steered it over the cliff?


I don't know why it has taken me so long to spot the resemblance.

Wondering whether this was old news, and everyone knew it except me, I did a quick search and discovered Victoria Coren Mitchell, making an entirely different point, but I think she's seen the likeness:

"Piffle-paffle, Toady is a great patriot!," scoffs Boris Johnson. "I met him at a motor show where he clearly indicated to me that he hopes Britain grabs back the power to self-determine. You simply can't be giving in, he told me, to these weasels."
shewhomust: (mamoulian)
The ultimate salad cheese is feta, not parmesan; parmesan works with everything, whereas feta is like an awkward adolescent that keeps falling out with everyone, until it finally finds a youth club (cucumbers) where it can really be itself.


Zoe Williams is in search of the perfect salad, and doesn't she put it beautifully?

Not that I agree with her. I don't even understand her basic assertion: How can feta be the ultimate salad cheese if its use is so limited? If anything, it's the other way round: parmesan is fine in a Caesar salad, but not otherwise. Feta is brilliant with pulses: with lentil and beetroot, or chick peas and tomatoes and olives... With cucumber, it's good in a lemony Greek salad (tomatoes and olives again) but if all you have is cucumber, go for a tangy goat's cheese instead.

Mmm, cheese...
shewhomust: (mamoulian)
The Quotation of the Day feed tells me that "Sometimes I've believed as many as six impossible things before breakfast". That sums up my view of the Today programme. Only yesterday I was earwormed, before I was even out of bed, by news items assuring me that the US was ready and willing to do trade deals with the UK, just as soon as we were free of those European restrictions:
How cheerfully he seems to grin,
How neatly spreads his claws,
And welcomes little fishes in,
With gently smiling jaws!

How prescient of Lewis Carroll
shewhomust: (puffin)
(Via The Ansible): Philip Pullman, asked in an interview by James McConnachie "If you could walk out of the back of a wardrobe into a fictional world, which would it be?" replied:
There are so many ... But if I wanted to live in a world that was full of strangeness and delight, of fear as well as reassurance, of both transience and permanence, I’d hope to find myself among Tove Jansson's Moomins.

The Author, Summer 2019

shewhomust: (mamoulian)
The God of Quiz has eaten his own young, and we will now all scrabble in his droppings for formats. Praise be to the posed question, to which the answer may or may not be known, for by his grace may our endless evenings be marginally foreshortened.

Victoria Coren Mitchell, closing remarks, Only Connect special, first broadcast 25.12.18


There is something off-key about Victoria Coren Mitchell's sense of humour, which sometimes leaves me baffled, and which sometimes just makes me wish she wouldn't. Occasionally, though, it is completely wonderful.

Or maybe this just struck a nerve, because we have for the past several evenings settled down for an hour of happy quizzing with University Challenge and Only Connect Christmas specials...
shewhomust: (mamoulian)
  1. The Launderette Sessions continued: Martin Simpson at the Gala Theatre was also excellent, if not quite as intimate as Nancy Kerr at the Launderette. That said, the theatre isn't huge, and it wasn't sold out (inexplicable but true), so there was quite a cosy atmosphere, and the Mighty Simpson Merchandising Empire consisted of Martin himself selling CDs, so we did get to chat a little after the show. Perhaps this low-key mood explains something very unusual about the performance: he did a request. I've seen him decline to play requests in the past, and I have a whole theory about his slowly evolving repertoire to explain why things that are not currently being kept fresh and practised for performance are just not going to be performed - but on Friday we had, by request and with some apology, a 'let's see if I can remember this' version of One More Day / Boots of Spanish Leather, and it was absolutely wonderful. Balancing that old favourite with something completely new, not quite bedded in to the repertoire, Kate McGarrigle's Talk to Me of Mendocino: the accompaniment was all Martin Simpson, but I kept hearing Kate's voice behind his vocals.


  2. It has taken me until now to write about this, because we have had house guests: J and [personal profile] weegoddess formerly of this parish, over from the States and catching up with Durham friends. They are the least demanding of guests, requiring neither feeding nor entertaining: a bed, a front-door key and plenty of wifi, and they are satisfied, but we have had talking to catch up with...


  3. They have now moved on to London, and [personal profile] weegoddess, who is a well brought up wee goddess, has sent me a bread-and-butter letter, with a link to an NYT article about the fall in puffin numbers in Iceland. She writes: "[potential trigger warning: article is a bit sad and shows photos of hunted puffins]" which is true, but the sadness is not news, and the photos - not to mention the videos - are wonderful.


  4. We disposed of several large cardboard boxes. This wasn't entirely motivated by the imminence of visitors, but it wasn't entirely unrelated, either. When I went booked some tickets for the Book Festival, the young man at the box office offered me a copy of the festival's joint read, Sarah Waters' The Little Stranger, and I accepted, because it's a while since I read any Sarah Waters, and I've enjoyed what I've read. I didn't look too closely, as I was in the middle of reading something else, so it was only later, reading a piece in the paper about the new film adaptation that I realised that I had read this book. Did I own a copy? Librarything said yes, but it wasn't on the shelves... [personal profile] durham_rambler thought there was more fiction in his study, hidden by some large empty boxes which might come in useful sometime, stashed there by an enthusiastic builder ahead of the great renovation. He was right, and I have found, and shelved, two more boxes of fiction and biography, including a signed copy of The Little Stranger. The mysterious gaps on the new shelves in the spare bedroom are much reduced. In addition to the boxes emptied in this way, we have disposed of the boxes they were hiding behind; it is now possible to reach the window in [personal profile] durham_rambler's study.


  5. Quotation of the day: Zoe Williams reports on procedural discussions at the Labour Party conference: "I'm told one memorable point of the meeting was Keir Starmer saying: 'Right, now we have to agree what we mean by 'consensus'.'" I have been there, done that...

    60° North

    Jun. 18th, 2018 09:43 am
    shewhomust: (mamoulian)
    There is great pleasure to be had in lying down outside. On a sun-drenched beach or a cold Shetland hillside, wrapped up warm or in shorts and a T-shirt, a doze in the open air is rarely a bad idea. Wild sleeping is as rejuvenating an activity as wild swimming, and it has the major benefit of being a lot less wet.


    Malachy Tallack relaxes in Greenland.
    shewhomust: (mamoulian)
    Nothing like the act of eating for equalising men. Dying is nothing to it. The philosopher dies sententiously - the pharisee ostentatiously - the simple-hearted humbly - the poor idiot blindly, as the sparrow falls to the ground; the philosopher and idiot, publican and pharisee, all eat after the same fashion - given an equally good digestion.

    Mrs Gaskell, North and South
    shewhomust: (ayesha)
    Since I was in Newcastle yesterday for the Reading Group, I visited the Paul Nash exhibition at the Laing Art Gallery (Guardian preview of the show at the Tate, not all of which, I think, transferred to Newcastle).

    I arrived late, and didn't have as much time as I had intended, but as it turned out I had as much as I wanted. There were one or two amazing paintings, but overall my reaction (and yes, this is about my limitations, not Nash's) was: too much surrealism, not enough Black Dog.

    I liked this passage, though:
    Last summer I walked in a field near Avebury where two rough monoliths stand up, sixteen feet high ... A mile away, a green pyramid casts a gigantic shadow. In the hedge at hand, the white trumpet of a convolvulus turns from its spiral stem, following the sun. In my art I would solve such an equation.


    I didn't have a notebook with me, so I am indebted to Outlandish Knight for the transcription (and for some of Nash's paintings of Avebury).
    shewhomust: (watchmen)
    • Intrigued by remarks on my friends' page, and elsewhere, we tracked down Jeremy Corbyn's appearance on The One Show. Which was fine, but not as interesting as a short film from the European Stone Stacking Championship (don't miss the picture gallery).



    • We spent last Saturday at Wonderlands, a perfect mini comics / graphic novels con. Went to several panels, wandered round the hall, talked to lots of people, had a great time - there ought to be more to say about it, but no. Take the title of this post as an indication of my esteem. And have a quote from Martin Rowson, on the primacy of drawing: "Writing is just a by-product of accountancy."


    • It was at Wonderlands that Mel Gibson told us about her late father, Jeff Johnson: I hadn't heard of him, or seen his work, but I rather like the painting reproduced in that obituary.


    • On Saturday evening we went to The Dragon and the Bone Queen, half performance, half illustrated lecture based on the work of Records of Early English Drama North-East: there was a procession led by the Boy Bishop (Durham always has to be different, and marked Whitsuntide with not one but two Boy Bishops, one for Durham itself and one for Elvet), there was music, both singing and instrumental, there was a dragon, there was the Dance of Death, as represented by the Bone Queen and her attendants:

      The Bone Queen and her attendants


    • It was a beautiful evening, as you can see from the light flooding in through the window and fogging the photo. We walked home from the Music School by the scenic route, and admired the evening light on the Cathedral, not to mention the moon...

      Moon and stone
    shewhomust: (mamoulian)
    There is something evocative about sherds - the detritus of the past. Crucial archaeological evidence, of course, and, if you are not an archaeologist, this vivid, tangible reminder of people who have been here before, making things and using them and discarding them. The past seems to echo with the sound of breaking crockery.

    Penelope Lively, Ammonites and Leaping Fish

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