Is The USA Controlling Venezuela

Feb. 7th, 2026 05:54 pm
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Posted by craig

My first video report from Venezuela:

My being here reporting is entirely possible due, as is all my journalism and activism, to your individual subscriptions and donations. We now have a Venezuela reporting crowdfunder. I have simply edited the Lebanese GoFundMe crowdfunder, because that took many weeks to be approved and I don’t want to go through all that again. So its starting baseline is the £35,000 we raised and spent in Lebanon.

I do very much appreciate that I have been simultaneously crowdfunding to fight the UK government in the Scottish courts over the proscription of Palestine Action. We fight forces that have unlimited funds. We can only succeed if we spread the load. About 98% of those who read my articles never contribute financially. This would be a good moment to change that. It is just the simple baseline subscriptions to my blog that have got me to Venezuela, and that remains the foundation for all my work.

Anybody is welcome to republish and reuse, including in translation.

Because some people wish an alternative to PayPal, I have set up new methods of subscription payment including a Patreon account and a Substack account if you wish to subscribe that way. The content will be the same as you get on this blog. Substack has the advantage of overcoming social media suppression by emailing you direct every time I post. You can if you wish subscribe free to Substack and use the email notifications as a trigger to come for this blog and read the articles for free. I am determined to maintain free access for those who cannot afford a subscription.

Subscriptions to keep this blog going are gratefully received.

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The post Is The USA Controlling Venezuela appeared first on Craig Murray.

Quiet place

Feb. 7th, 2026 03:34 pm
hunningham: Beautiful colourful pears (Default)
[personal profile] hunningham
This morning I have cleared up & picked up & put away. I have changed beds & hoovered & done the laundry. I have washed up & planned food for the week & done the food shopping. I have taken father-in-law out for an indulgent lunch.

And now I'm being quiet. Father-in-law is having a little nap, himself is away for the day (rugby at Twickenham), cat is off doing cat things and I have the living room to myself. I'm reading, and ignoring the to-do list.

The luxury of not doing, of being quiet in the middle of the day.

West v Copley

Feb. 7th, 2026 11:58 am
poliphilo: (Default)
[personal profile] poliphilo
 I couldn't resist doing this.

West and Copley both painted pictures of the Death of the Earl of Chatham.

The Earl of Chatham- aka Pitt the elder- was the dominant British politician of his age. He suffered a seizure while speaking in the House of Lords- against the American rebels as it happens- and had to be taken home. His actual death occured- in bed- 34 days later but let's not quibble. 

So let's compare the two versions.

Here's West

Benjamin_West_-_The_Death_of_Chatham_-_Google_Art_Project.jpeg

And here's Copley

The_Death_of_the_Earl_of_Chatham_by_John_Singleton_Copley.jpeg

Now personally I find the West rather flat and boring and the Copley- with its strong, dramatic lighting and masterly grouping of figures- a tour de force but I'll shut up now and let you make up your own minds.....

Thomas Szasz

Feb. 7th, 2026 12:00 am
[syndicated profile] quoteoftheday_feed
"When a person can no longer laugh at himself, it is time for others to laugh at him."

Cindy Gardner

Feb. 7th, 2026 12:00 am

Albert Szent-Gyorgyi

Feb. 7th, 2026 12:00 am
[syndicated profile] quoteoftheday_feed
"Discovery consists of seeing what everybody has seen and thinking what nobody has thought."

John Singleton Copley

Feb. 7th, 2026 09:10 am
poliphilo: (Default)
[personal profile] poliphilo
 The other notable American painter to pursue a career in 18th century London was John Singleton Copley. He was less successful than West but the more interesting artist. Face painting was his thing and he had entered a crowded market. This was the great age of British portraiture and he was up against the marvelllously inventive Joshua Reynolds, the virtuostic Thomas Gainsborough and- towards the end of his life- the dashing Thomas Lawrence- plus a host of others. Hiis own work is greatly variable; he can be clumsy and he can be brilliant. You put your money down and you might receive a picture that evoked your wonderful intelligence, wit and beauty or one that made you look like taxidermy. The pity is that his real talent was for large scale, crowded figure compositions or "histories" and he got to paint so few. Histories were West's speciality but Copley was so much better at them-

But first a couple of portraits

Abigail_Bromfield_hat.jpeg

The sitter here is Copley's step-niece- and maybe her being a family member freed him up to produce something untypically swishy and sexy. Bejasus, what a hat!

And now one of his best  male portraits.

John_Singleton_Copley_-_Gilbert_DeBlois_-_1990.300_-_Museum_of_Fine_Arts.jpeg

This is daring stuff, the artist is gazing up at his sitter and the face is in shadow. I call this taking risks. What results is an image of of a forceful, vibrant personality.  And the colours, blue sky, plum-coloured coat, orange drape are just gorgeous. 

And now to the "histories".

Watson and the Shark is the painting Copley took to London as his calling card. It illustrates an actual incident. Watson is the guy who's skinny-dipping. He survived with the loss of half a leg. There'd been nothing quite like it in the history of art and Copley never did anything quite like it again. Only a provincial could have pulled off something so outre and original. It's a heroic image, but it convinces in its heroism. You believe it. Every pose and gesture makes sense. It's dramatic not melodramatic- and it looks forward some fifty years to the romanticism of Gericault and Delacroix.

Also that shark is bloody scary.

privateimagesb38ce6b38ce693-ba56-4953-9c2c-d8139fe4b059__0.jpeg


The second is a battle picture. The Death of Major Peirson. Battle pictures are terribly difficult to pull off. Battles are chaotic-  but the artist has somehow to produce a composition with lots of people doing lots of different things which holds together, makes sense, is artistically satisfying but doesn't look like a theatrical tableau. And this is how you do it! Can I think of any battle picture that's better than this? No, frankly, I can't.

As with Watson and the Shark we're looking at something that really happened, though Copley has telescoped the action- which is permissible. The French sent a small force to capture the island of Jersey. They surprised the British governor in his bed and he surrendered. But Major Peirson, the youthful commander of the English garrison, fell upon the French, chased them through the streets of St Helier and overwhelmed them.  Peirson was shot dead at the very beginning of the action, but his servant Pompey, the man in the fabulous hat, took immediate revenge by shooting the shooter. In Copley's picture It's all happening at once. The faces of the officers surrounding the gloriously martyred Peirson are proper portraits and I understand that some of the buildings in the background are still standing and recognisable from his portrayal of them.

Anyway, here it is.....

John_Singleton_Copley_001.jpeg
sovay: (Silver: against blue)
[personal profile] sovay
It has been snowing lightly and steadily since I woke this morning. Those five hours of sleep were the most I have gotten in a seven-day week. At the moment a sort of bleach-silvered effect has started around the overcast sun: it seems to make the west-facing windows across the street reflect mercury-green. There were sunshowers in the snowfall, but not while I was out walking.

I caught the stone that you threw. )

I can tell that my ability to think in media is reviving because in twenty-six years it had never occurred to me to fancast Stefan Fabbre and all of a sudden I thought that, fair-haired, dry-voiced, the moody, unsteady one in the family, in 1976 he would have been in Clive Francis' wheelhouse. [personal profile] gwynnega has suggested that Millard Lampell deserves his own Library of America volume and I'd order it in a hot second.
larryhammer: floral print origami penguin, facing left (Default)
[personal profile] larryhammer
I’m an aloha shirt kind of guy. Not all of my wardrobe is brightly floral—I need a few more subdued patterns for less informal occasions, such as starting work in an office where I haven’t confirmed aloha is acceptable business casual wear. But a fair number are, most of them tasteful.

This is mostly by temperament—they signal (though let me asterisk that * ) a laid-back temperament, which is both true and helps me through interactions with strangers. Mostly, as there’s also a practical component. I’ve mentioned this a couple times, but I come across IRL as taller than I do online: I’m 6'4" / 193cm. Finding men’s short-sleeve shirts that are long enough for my torso to stay tucked in is a challenge. (Paradoxically, it’s easier with long-sleeve shirts, as “long” sizes is a thing for those.) Aloha shirts, however, are designed to not be tucked in, and indeed look worse that way. Win!

But then there’s that asterisk: * I’m graying enough, both hair and goatee (which last I’ve been keeping for two years now), that I can sometimes be misidentified as a Boomer, and a Boomer in an aloha shirt signals a different temperament than a younger guy in one. I’m lean enough I don’t entirely lean into that stereotype, but still. I’m older Gen X and … touchy … about being mistaken for a Boomer.

The goatee is starting to annoy me in other ways, anyway, so maybe shaving it will help—it has the most white. Or I could, yanno, suck it up and deal. Be laid-back. Just like the shirts claim.

---L.

Subject quote from We Can Work It Out, The Beatles.

Benjamin West

Feb. 6th, 2026 01:16 pm
poliphilo: (Default)
[personal profile] poliphilo
 The Lewes Meeting House has a copy of this print. It'll be worth a few bob. They have it leaning against a wall, out of sight, out of mind. I love old prints and if I weren't a fine upstanding citizen I'd have waited until no-one was looking and added it to my collection.

mw65663_800x657.jpg.webp

It's called Mr West and his family. The original was painted by Mr West and commemorates a visit of his elderly male relatives to see his new-born second son. The two old gents are Quakers wearing Quaker gear- which is presumably why the Lewes Meeting House aquired it.

Mr West is Benjamin West, the American painter. Born in Pennsylvania, he studied in Italy, as one did, then moved to England where he prospered, becoming court painter to George III and the second president of the Royal Academy, in succession to Joshua Reynolds. He seems to have been an agreeable man. When the American colonies rebelled against the mother country he kept  a discreet silence and wouldn't be drawn.

He is best known for big, splashy paintings of historical events. He did Bible stories, Roman history, medieval history and modern times. and was prolific in producing them. Sadly they are not very much to modern taste, being theatrical, melodramatic and often wildly inaccurate. If you set aside your prejudices it is possible to admire them for their energy and imagination. The best known of them, and one of the most carefully considered is his Death of Wolfe. Wolfe was the general who captured Quebec from the French-  thus securing Canada for the British Empire.  I do rather like it. As West's histories go it is really quite restrained. Wolfe was famous and singular among officers for carrying a rifle- just like a common soldier- and there it is discarded at his feet. West has done his research.

Benjamin_West_005.jpeg

Scrolling through the reproductions of West's work on wikipedia I found a number of rather charming little paintings of everyday subjects which look as if they were done quickly, freely and possibly even for fun. In the first we have some gentlemen in a punt out fishing with what looks rather like a sea battle going on in the far distance. In the second we see some sturdy British peasants reaping corn and canoodling in the vicinity of Windsor Castle while some glittery gentlefolk look on.

Benjamin_West_-_Gentlemen_Fishing_-_Google_Art_Project.jpeg

Harvesting_at_Windsor_by_Benjamin_West,_PRA.jpeg

Samuel Goldwyn

Feb. 6th, 2026 12:00 am
[syndicated profile] quoteoftheday_feed
"I don't want any yes-men around me. I want everybody to tell me the truth even if it costs them their jobs."

Underneath The Water

Feb. 6th, 2026 07:50 am
poliphilo: (Default)
[personal profile] poliphilo
 Underneath the water
Six feet deep
There lies Hitler
Fast asleep.

Child's skipping rhyme as recorded by Charles Causeley.


I dreamed I was in the Chancellery at the end of World War II. The papers the Nazis had left behind would need to be sorted through. Then Hitler emerged from wherever it was he'd been hiding and sat down with us.

So many of the great men and women of the past never died in the way history records but faked their deaths and were seen afterwards by "reliable" witnesses. Jim Morrison is alive and working as an electrician in L.A.  Tsar Alexander II went off and became a Holy Man. Joan of Arc married a nobleman. As for Jesus-  well, need I go on?  In the case of Hitler there are still Argentinian country people who remember the elderly German chap who lived with his younger wife on a farm in the hills and used to receive visits from seemingly important folk in big sleek automobiles. There are photos. The moustache has gone. His health wasn't good and he died in the 1960s.

Perhaps the truthiest truth is that there are multiple timelines, billions of them- and there's a certain amount of leakage between them (viz the Mandela effect).  In one timeline Hitler committed suicide, In another he was arrested by the Russians, in a third he has rescued. Perhaps there's even one in which he suffered the fate imagined for him in Tarentino's Inglorious Basterds. Why live out only one version of one's life? Let's rather extract every last drop of juice from the human experience.

The latest "great man" to be both alive and dead is Jeffery Epstein. He wasn't suicided, he was spirited away and is currently living out his life in a luxury villa in Tel Aviv. A great number of people believe this to be the case. Winesses have emerged.....

solar: day 2

Feb. 5th, 2026 11:25 pm
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[personal profile] cellio

Last year we replaced our roof, which unlocked solar panels. (We didn't want to put in panels and then have to lift them to replace the roof. And it turned out that the provider wouldn't have put panels on a roof that old anyway.) Permits and supply chains and inspections and the actual work took a while, but everything was installed and paid for before the tax year ended. It took until last week to get through the utility company's inspection so we could turn it on, and we finally got our "permission to operate" confirmation yesterday morning.

I didn't expect much in the middle of winter, especially on a cloudy day like today, but yesterday when it was sunny we returned more power to the grid than we drew, and today we're doing ok now but it looks like we'll be pulling from the grid overnight. (The battery is getting close to its "do not drop below" point, that being a buffer in case of actual outages.) I have never been so involved in power usage...

The battery has been on since it was installed; we didn't have a power outage during that time, but I assume it would have kicked in if so. 'Tis the season, so I was taken by surprise the first time I got a notification on my phone from my battery saying "National Weather Service says there's a storm coming so I'm charging up to 100%", because of course it does that. This is a whole new world for me. :-)

Wednesday Reading on Thursday

Feb. 5th, 2026 04:36 pm
oracne: turtle (Default)
[personal profile] oracne
This is actually all of December and January, which I wrote up for my professional blog.

The Woods All Black by Lee Mandelo is horror, a genre I read only rarely, but I was completely gripped by the 1930s rural setting. Leslie Bruin, a trans man and veteran nurse of World War One, now works for the Frontier Nursing Service. Sent to the tiny, isolated town of Spar Creek, he is quickly put on his guard by unfriendly townspeople and louring forest, but stays to try and help young Stevie Mattingly, a tomboyish local whom the entire town seems to want to control. The building tension is very effective, and finally explodes in dark magic and violence. Trigger warnings for off-screen sexual assault and some gory justice doled out towards the end.

The Incandescent by Emily Tesh is very excellent. It's a magic school story from a teacher's perspective, which fully demonstrates the ridiculously huge workload of a senior administrator/teacher and the difficulties of having a "human" life separate from teaching. It has great characters and deep worldbuilding, and even shows what graduate school and career paths the students might take. The solidly English middle-class point of view character Sapphire Walden, socially awkward with a doctorate in thaumaturgy, is brilliantly depicted, including her grappling with how to communicate with her students who vary in race and class. This novel read as a love letter to teachers and teaching that also showed their humanity with its mistakes and flaws.

Troubled Waters by Sharon Shinn is first in the "Elemental Blessings" series, a secondary-world fantasy with magic and personality types associated with/linked to elements or combinations thereof. The protagonist, for example, is linked mostly to water, which has a relationship to Change; in her case, she's part of major political changes. The story begins just after Zoe Ardelay's father has died. He was a political exile, and Zoe has mostly grown up in an isolated, tiny village. Darien Serlast, one of the king's advisors, arrives to bring her to the capital city, ostensibly to be the king's fifth wife. At this point, I was expecting a Marriage of Convenience, possibly with Darien. This did not happen; instead, the first of several shifts in the plot (much like changes in a river's course over time) sent Zoe off on her own to make new friends. While there is indeed a romance with Darien, eventually, it was secondary to the political plots revolving around the king, the machinations of his wives, and Zoe's discoveries about her heritage and associated magical abilities. I enjoyed the unexpected twists of the plot, but by the end felt I'd read enough of this world and did not move on to the rest of the series.

A Drop of Corruption by Robert Jackson Bennett is second in a series, Shadow of the Leviathan, but since my library hold on it came in first, I read out of order. As with many mystery series, there was enough background that I had no trouble reading it as a standalone. This secondary world fantasy mystery has genuinely interesting worldbuilding, mostly related to organic technology based on the flesh and blood of strange, metamorphic creatures called Leviathans who sometimes come ashore and wreak destruction. The story revolves around a research facility that works directly with these dangerous corpses and is secretly doing more than is public. Protagonists Dinios Kol and his boss, the eccentric and brilliant detective Ana Dolabra, are sent from the imperial Iudex to an outlier territory, Yarrow, whose economy is structured around organic technology and the research facility known as The Shroud. Yarrow is in the midst of negotiations with the imperial Treasury for a future entry into the Empire when one of the Treasury representatives is murdered. Colonialism and the local feudal system complicate both the plot and the investigation. If you like twists and turns, this is great. There are hints of the Pacific Rim movies (but no mecha) in the leviathans, and of famous detective pairings including Holmes and Watson and Nero Wolfe and Archie Goodwin, the latter of which the author explicitly mentions in the afterword. (Similarities: Ana likes to stay in one places, is a gourmet of sorts, sends Kol out for information; Kol has a photographic memory and is good at picking up sex partners.)

The Tainted Cup by Robert Jackson Bennett kicks off the Shadow of the Leviathan series. Kol and Ana begin the story in a backwater canton but soon travel to the imperial town that supports the great sea wall and holds back the Titans that invade in the wet season. The worldbuilding and the mystery plot are marvelously layered, and Ana's eccentricities are classic for a detective. I kept thinking, "he's putting down a clue, when is someone in this story going to pick it up?" and sometimes, I felt like the pickup took too long. This might have been on purpose, to drag out the tension. As a writer, I was definitely paying attention to the techniques the author used.

Paladin's Grace by T. Kingfisher is first in the "Saint of Steel" series, which has been recommended to me so many times by this point that I've lost count. While the story is serious and begins with an accidental massacre, the dialogue has Kingfisher's trademark whimsy, irony, and humor. When the supernatural Saint of Steel dies, its holy Paladins are bereft but still subject to a berserker rage no longer guided by the Saint. The survivors are taken in by the Temple of the White Rat and then must...survive. Paladin Stephen feels like a husk who serves the White Rat as requested and knits socks in his downtime until he accidentally saves a young woman from danger and becomes once again interested in living. Grace, a perfumer, fled an abusive marriage and has now stumbled into a murderous plot. Meanwhile, a series of mysterious deaths in the background eventually work their way forward. This was really fun, and I will read more.

Paladin's Hope by T. Kingfisher is third in the "Saint of Steel" series and features the lich-doctor (coroner) Piper, who becomes entangled with the paladin Galen and a gnole (badger-like sapient), Earstripe, who is investigating a series of very mysterious deaths. Galen still suffers the effects of when the Saint of Steel died, and is unwilling to build relationships outside of his fellow paladins; Piper works with the dead because of a psychic gift as well as other reasons that have led to him walling off his feelings. A high-stress situation helps to break down their walls, though I confess that video-game-like scenario dragged a bit for me. Also, I really wanted to learn a lot more about the gnoles and their society.

Paladin's Strength by T. Kingfisher is second in the "Saint of Steel" series but arrived third so far as my library holds were concerned; I actually finished it in February but am posting it here so it's with the other books in the series. This one might be my favorite of the series so far. Istvhan's level-headedness and emotional intelligence appeal strongly to me. Clara's strong sense of self made me like her even before the reveal of her special ability (which I guessed ahead of time). They were a well-matched couple, and a few times I actually laughed out loud at their dialogue. I also appreciated seeing different territory and some different cultures in this world. I plan to read the fourth book in this series, and more by this author.

Wrong on the Internet by selkit is a brief Murderbot (TV) story involving Sanctuary Moon fandom, Ratthi, and SecUnit. It's hilarious.

Cold Bayou by Barbara Hambly (2018) is sixteenth in the series, and I would not recommend starting here, as there are a lot of returning characters with complex relationships. Set in 1839 in southern Louisiana, the free man of color Ben, his wife Rose, his mother, his sister Dominique and her daughter, and his close friend Hannibal Sefton travel via steamboat to an isolated plantation, Cold Bayou, for a wedding.

As well as the inhabitants of the plantation (enslaved people and the mixed-race overseer and his wife), the sprawling cast includes an assortment of other family related by blood or otherwise through the complex French-Creole system of interracial relationships called plaçage or mariages de la main gauche. These involved White men contracting with mistresses of color while, often, married to White women for reasons of money or control over land rather than romance. The resulting complexities are a constant theme in this series, as Ben and his sister Olympe were freed from slavery in childhood when their mother was purchased and freed to be a placée; meanwhile, his half-sister Dominique is currently a placée, and on good terms with her partner Henri's wife, Chloe, who later has a larger role in the mystery plot.

Veryl St.-Chinian, one of two members of a family with control over a vast quantity of property, is 67 years old and has decided to marry 18 year old Ellie Trask, an illiterate Irish girl whose past is revealed to be socially dubious. Even before Ellie's rough-hewn uncle shows up with a squad of violent bravos, tempers are fraught and no-one thinks the marriage is a good idea, because of the vast family voting power it would give Ellie. Complicating matters is the inevitable murder and also a storm that floods the plantation and prevents most outside assistance for an extended period.

Hambly is one of my autobuy authors and I greatly enjoyed revisiting familiar characters as well as seeing them grapple with mystery tropes such as "detective is incapacitated and must rely on others for information" and "isolated assortment of plausible murder suspects." She's great at successively amping up the danger with plot twists that fractal out to the rest of the story, and though justice is always achieved in the end (as is required for the Mystery genre), the historical circumstances of these books can result in justice for some and not others. I highly recommend this series if you like mystery that successfully dramatizes complex social history.
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Posted by craig

As the trial finished at Woolwich Crown Court of the six Palestine Action activists who entered the Filton factory to destroy Israeli killer drones, Starmer, Cooper, Lammy and Mahmood are left bereft of a single guilty verdict in the case on which they relied heavily to label Palestine Action as a terrorist organisation.

I could not, on pain of imprisonment, tell you this during the trial. One item produced by the prosecution as evidence was the notebook of Charlotte Head, on which she had written details from her training session with Palestine Action and of the proposed direct action against Elbit’s drone factory.

The first ten pages of her notes were about the Israeli weapons company Elbit, their footprint in the UK, their corporate structure and the weapons they manufacture, and the evidence of the use of their weaponry in the genocide in Gaza.

The jury were shown the notebook but were specifically not allowed to see the first ten pages. Throughout the trial anything that referred to the crimes of Elbit, their role in the mass killing and mutilation of women and children, and their cosy relationship with the British government, was excluded from the jury. The judge continually stopped the defence lawyers from asking or saying anything about who Elbit are or why their property was being attacked.

The defendants were not permitted therefore to explain to the jury why they did what they did – which you might have believed was a pretty fundamental right. The jury were additionally, in effect, instructed by Judge Johnson to convict on the least serious charge, that of criminal damage.

But despite the state taking every possible precaution to ensure that the state got its convictions in this show trial, the jury refused to find that trying to stop Genocide is a crime.

This trial was fundamental to the government’s argument that Palestine Action is a terrorist organisation. And the key to that was the accusation that Palestine Action from the start intended harm to people, not just to property. That is why these defendants were all charged with “aggravated burglary”.

Aggravated burglary is an extremely serious charge, carrying a potential life sentence. It is the offence of breaking into a property with the intent to use a weapon. On aggravated burglary, all six defendants were found resoundingly Not Guilty.

So the attempt to portray Palestine Action as an organisation involved in violence against persons has fallen flat on its face. Because the jury could see it was stupid and obviously untrue.

When it comes to events after the activists were attacked by security guards, three of the six were found not guilty of the charge of “violent disorder”. On three others the jury could not reach a verdict.

Most interesting of all perhaps was the charge of criminal damage to Elbit’s machinery and instruments of genocide. Here Judge Johnson to all intents and purposes had instructed the jury to convict. Yet enough of the jury could not accept that stopping Genocide is a crime.

The final question was the charge against Samuel Corner of Grievous Bodily Harm with Intent. This was the famous incident where the security guards attacked the defendants with weapons and there was a melee as they defended themselves.

It is worth stating that the tabloid stories and right-wing meme of “a policewoman’s spine was fractured” was always utter nonsense. As the defence closing speech stated:

The prosecution have said it was a fracture to the spine, a deliberate choice of words which although technically accurate, conjure up a break, a snapping of the spinal vertebrae. Maybe that’s what the jury had in mind until they saw the CT scan – it was actually an injury that wasn’t obvious. The doctors looking at the first X-rays didn’t identify any bone damage, nor in an MRI later.

The injury didn’t require surgery and Sergeant Evans was advised to take painkillers and do physiotherapy. The agreed facts state from medical evidence that you’d expect such a fracture to heal in six to twelve weeks, with full healing in three to six months, and no long-term consequences.

The unfortunate policewoman suffered no damage at all to her spinal cord. She had a possible hairline fracture to the wing of one vertebra. That there was any fracture at all was never definitive from the X-rays and MRIs. Whether it reached the bar of grievous bodily harm was disputed; how it was caused was disputed; and whether there was any intent to harm was disputed. The refusal of the jury to convict was completely consistent with the evidence heard in court.

This has driven right-wingers into a frenzy with completely false claims about the extent of the injury, and continued reference to a highly edited brief video clip.

That video clip is extremely important because it represents the height of the state’s attempt to use this incident to demonise Palestine Action. The police were permitted, during the course of the trial, to release a single and highly edited clip of video said to represent the injury of Sergeant Evans by a sledgehammer. A great deal of other video evidence was not released. This resulted in a massive media frenzy.

Even before this, Yvette Cooper and Commissioner of the Metropolitan Police Mark Rowley had caused massive prejudice by stating that a policewoman had been attacked with a sledgehammer.

None of these deliberate attempts to affect the trial was censured by the judge nor resulted in any proceedings for contempt of court. Yet we were strictly told we absolutely could not mention that the judge was withholding the evidence about Elbit from the jury, as that would prejudice the trial and we would face contempt of court proceedings.

On Sergeant Evans, she has become a cause célèbre for the right, but I should say there is no evidence she is herself whipping this up. Her behaviour on the night was admirable. She was not herself involved in the excessive use of force – and, despite her own painful back, tended to others after the event quietened.

In my view, this prosecution was doomed by the overcharging and exaggeration used by the government to demonise Palestine Action. The “aggravated burglary” charge was ludicrous. To attempt to claim that the activists entered the factory with the intent of using weapons against people, went so far against the evidence it was bound to fail.

The massive over-exaggeration of the extent of Sergeant Evans’s injury has successfully whipped up right-wing hysteria, but did not really meet the threshold of grievous bodily harm, and the decision to add intent to that charge was again not backed by evidence.

On criminal damage, the jury plainly refused to accept the destruction of weapons of genocide was a crime. For that, I salute them. For the rest, they simply applied robust common sense to the evidence before them.

The “policewoman attacked with a sledgehammer” nonsense of course featured heavily in the English judicial review of the proscription of Palestine Action. In the Scottish judicial review, they cannot really use this – not without a caveat that a jury did not agree with them.

The Filton result is great news for the Scottish judicial review. We have to submit all the paperwork for that, in just seven working days. I hate to say this, but we are now desperately short of funds to continue this action. I cannot keep asking the same supporters to give more, but if you know people who can afford it and will contribute please activate them.

You can donate through the link via Crowd Justice, which goes straight to the lawyers, or through this blog.

https://www.crowdjustice.com/case/scottish-challenge-to-proscription/

Alternatively by bank transfer:

Account name
MURRAY CJ
Account number 3 2 1 5 0 9 6 2
Sort code 6 0 – 4 0 – 0 5
IBAN GB98NWBK60400532150962
BIC NWBKGB2L
Bank address NatWest, PO Box 414, 38 Strand, London, WC2H 5JB

Or crypto:

Bitcoin: bc1q3sdm60rshynxtvfnkhhqjn83vk3e3nyw78cjx9
Ethereum/ERC-20: 0x764a6054783e86C321Cb8208442477d24834861a

 

The post Filton Acquittals Demolish Starmer and Cooper Lies About Palestine Action appeared first on Craig Murray.

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