Which sounds like a contradiction in terms: but I don't think it was just me. Possibly it was an effect of covid. The audience was as crazy as ever, and didn't look any more spaced out: it was one of a series of experimental and highly-monitored events, and there my have been fewer people there than usual (I think this was mentioned) but I wouldn't have guessed. The Icelandic entry was represented by a film of their rehearsal performance, since one of the band had tested positive and they were self-isolating in their hotel:
durham_rambler voted for them regardless, though this may in part have been out of appreciation for their entry last year, which was odd and quirky and deserved to win. This year's entry was pleasant enough, but I don't come to the Eurovision Song Contest for "pleasant enough", I come for those moments of bewilderment, of WTF? of "did I just see what I think I saw?" and no, didn't get many of those this year.
Perhaps the Russian entry - the staging, not the song. The format is not a fair test of a song, because it usually takes a few repetitions to hook me - but there's usually at least one song I can recall as long as the start of the voting. Not this year. There was a lot of rap-inflected, rhythmic stuff, which may go some way to explain it. The Russian entry (
Russian Woman, though
the singer comes from Tadjikistan) alternated this sort of chanting with something anthemic (is it, in fact, a national anthem? if not, someone should claim it!). The official video is only a faint echo of the staged production, in which the singer in her red boiler suit emerges, not from a mere oversized dress but from a rigid construction, as if she were hatching from a giant matrioushka doll. She doesn't seem to have won many votes for her impeccable feminist message; nor did the Netherlands for their
Birth of a New Age, which I thought more melodic than most - and gave brownie points for being partly in Sranan Tongo, a language of Suriname.
I liked the Ukrainian entry, too, which
combines Ukrainian folklore and electronics, it says here. Again, the official video goes beyond the stage setting, which I preferred: its unreality had charm, while the realism of the video falls into the uncanny valley - for me, at any rate.
I didn't stay up for the voting, but
durham_rambler did, and was able to tell me, when he came to bed, that Italy, the favourite, had won, that France had come second (by channeling Edith Piaf) and that the UK had scored our traditiopnal
nul points. All very sober and sensible...