shewhomust: (puffin)
[personal profile] shewhomust
Turning up all over the place, but this is [livejournal.com profile] desperance's version, which I like because it has the preamble: This is a list of the 50 most significant science fiction/fantasy novels, 1953-2002, according to the Science Fiction Book Club.

ETA: Thanks to [livejournal.com profile] sartorias for pointing to this clarification from [livejournal.com profile] james_nicoll: "significant" means 'Not exactly "best" and not exactly "most popular," but somewhere in the middle, with as much wiggle room as we could build in. Basically, they were books that we thought were important to the history of the field, for various reasons.'

Bold the ones you've read, strike-out the ones you hated, italicize those you started but never finished, and put an asterisk* beside the ones you loved.

  1. The Lord of the Rings, J.R.R. Tolkien*

  2. The Foundation Trilogy, Isaac Asimov

  3. Dune, Frank Herbert

  4. Stranger in a Strange Land, Robert A. Heinlein*

  5. A Wizard of Earthsea, Ursula K. Le Guin*

  6. Neuromancer, William Gibson

  7. Childhood's End, Arthur C. Clarke

  8. Do Androids Dream of Electric Sheep?, Philip K. Dick

  9. The Mists of Avalon, Marion Zimmer Bradley

  10. Fahrenheit 451, Ray Bradbury

  11. The Book of the New Sun, Gene Wolfe

  12. A Canticle for Leibowitz, Walter M. Miller, Jr.*

  13. The Caves of Steel, Isaac Asimov

  14. Children of the Atom, Wilmar Shiras

  15. Cities in Flight, James Blish

  16. The Colour of Magic, Terry Pratchett

  17. Dangerous Visions, edited by Harlan Ellison

  18. Deathbird Stories, Harlan Ellison

  19. The Demolished Man, Alfred Bester

  20. Dhalgren, Samuel R. Delany

  21. Dragonflight, Anne McCaffrey

  22. Ender's Game, Orson Scott Card

  23. The Chronicles of Thomas Covenant by Stephen R. Donaldson

  24. The Forever War, Joe Haldeman

  25. Gateway, Frederik Pohl

  26. Harry Potter and the Philosopher's Stone, J.K. Rowling

  27. The Hitchhiker's Guide to the Galaxy, Douglas Adams

  28. I Am Legend, Richard Matheson

  29. Interview with the Vampire, Anne Rice

  30. The Left Hand of Darkness, Ursula K. Le Guin*

  31. Little, Big, John Crowley

  32. Lord of Light, Roger Zelazny*

  33. The Man in the High Castle, Philip K. Dick

  34. Mission of Gravity, Hal Clement

  35. More Than Human, Theodore Sturgeon

  36. The Rediscovery of Man, Cordwainer Smith*

  37. On the Beach, Nevil Shute

  38. Rendezvous with Rama, Arthur C. Clarke

  39. Ringworld, Larry Niven

  40. Rogue Moon, Algis Budrys

  41. The Silmarillion, J.R.R. Tolkien

  42. Slaughterhouse-5, Kurt Vonnegut

  43. Snow Crash, Neal Stephenson

  44. Stand on Zanzibar, John Brunner*

  45. The Stars My Destination, Alfred Bester

  46. Starship Troopers, Robert A. Heinlein

  47. Stormbringer, Michael Moorcock

  48. The Sword of Shannara, Terry Brooks

  49. Timescape, Gregory Benford

  50. To Your Scattered Bodies Go, Philip Jose Farmer


As [livejournal.com profile] sartorias says, it's not the answers that are interesting, but the questions: where do these lists come from? I note that this one allegedly lists "significant" books rather than good ones - which maybe explains why I have read as many of them as I have: we don't know what's significant and what isn't until it's had time to settle, so that inevitably skews the list towards older works.

Even so, let's quibble: I suppose Harry Potter is "significant" through sheer popularity. But why The Silmarillion? Because it's such a perfect example of how not to do it? I note that it's one of the very few books on this list that I actively hated, and conclude that it takes a lot to make me finish a book that I am really not getting on with (being the long-awaited sequel to Lord of the Rings would do it) and - looking at how few books I've started and abandoned - that it also takes a lot to make me even start to read a book that doesn't draw me in to some extent.

I began by thinking that that "significant" bit is also why they list the wrong Pratchett (important because it's early, it's the start of something - but he improves so much later). But then, I have the opposite problem with the Delany (too late!) and, unless I'm confused here, the Gene Wolfe...

Sins of commission, sins of omission: I'm not a fan of John Wyndham, but shouldn't he be on this list? And Fred Hoyle's The Black Cloud? And where are the comics - no, that's a whole 'nother game...
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