For your viewing pleasure
Mar. 11th, 2010 03:02 pmFound yesterday while looking for pictures of lilypads (and therefore work related, which amuses me): artist Robin Barcus Slonina and her 'States of Dress' project. I think of jewellery as sculpture you can wear, but Barcus-Slonina has an ongoing plan to create a wearable "dress" sculpture in - and representing - each of the fifty states of the USA. Her web site is here, and here is her blog in which she describes the process of constructing some of the dresses. But this 'WhyNot?' blog post assembles the most stunning pictures (and the blog has some other interesting links as well.
One of the reasons why I refuse to throw out my stacks of ten-year-old copies of the Guardian until each one has been scrutinised is that every now and then the process turns up a strip by David Shenton, who used in those days to cover when Steve Bell was on holiday. And when I find one, I add it to the pile to be pasted into a scrap book, alongside those of his strips that my sister used to clip for me from the Pink Paper. There are one or two examples on his web site, and the collection, Bananas are not the only fruit sneaks in among the book illustrations, but it does look as if his work centres more on illustration these days. Some of these are rather fine (there's a burning synagogue which takes a terrible theme and makes it glow with the rich colours of a Russian lacquer painting), but I slightly regret the loss to sequential art.
One of the reasons why I refuse to throw out my stacks of ten-year-old copies of the Guardian until each one has been scrutinised is that every now and then the process turns up a strip by David Shenton, who used in those days to cover when Steve Bell was on holiday. And when I find one, I add it to the pile to be pasted into a scrap book, alongside those of his strips that my sister used to clip for me from the Pink Paper. There are one or two examples on his web site, and the collection, Bananas are not the only fruit sneaks in among the book illustrations, but it does look as if his work centres more on illustration these days. Some of these are rather fine (there's a burning synagogue which takes a terrible theme and makes it glow with the rich colours of a Russian lacquer painting), but I slightly regret the loss to sequential art.